AMS DMX15-80s Stereo Digital Delay - SN 8482
AMS DMX15-80s Stereo Digital Delay for sale from the John Paul Jones studio collection - owned by John from new. SN 8482
Preorder - currently being serviced by an AMS specialist.
Spec - dual pitch shift with dual lock, deglitch card and 3.2 seconds on A, 1.6 on B
Released in 1980, the AMS DMX 15‑80S took digital delay to the next level. A fully stereo, microprocessor-controlled unit with independent delay channels, harmony-capable pitch shifting, and optional Loop Editing sampling, it set a new benchmark for studio processors.
A staple in the golden age of analogue/digital crossover, it powered iconic productions from the likes of Phil Collins and Peter Gabriel, and became a fixture at Genesis’s The Farm studio.
Original: $8,750.13
-65%$8,750.13
$3,062.55More Images
AMS DMX15-80s Stereo Digital Delay - SN 8482
AMS DMX15-80s Stereo Digital Delay for sale from the John Paul Jones studio collection - owned by John from new. SN 8482
Preorder - currently being serviced by an AMS specialist.
Spec - dual pitch shift with dual lock, deglitch card and 3.2 seconds on A, 1.6 on B
Released in 1980, the AMS DMX 15‑80S took digital delay to the next level. A fully stereo, microprocessor-controlled unit with independent delay channels, harmony-capable pitch shifting, and optional Loop Editing sampling, it set a new benchmark for studio processors.
A staple in the golden age of analogue/digital crossover, it powered iconic productions from the likes of Phil Collins and Peter Gabriel, and became a fixture at Genesis’s The Farm studio.
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Description
AMS DMX15-80s Stereo Digital Delay for sale from the John Paul Jones studio collection - owned by John from new. SN 8482
Preorder - currently being serviced by an AMS specialist.
Spec - dual pitch shift with dual lock, deglitch card and 3.2 seconds on A, 1.6 on B
Released in 1980, the AMS DMX 15‑80S took digital delay to the next level. A fully stereo, microprocessor-controlled unit with independent delay channels, harmony-capable pitch shifting, and optional Loop Editing sampling, it set a new benchmark for studio processors.
A staple in the golden age of analogue/digital crossover, it powered iconic productions from the likes of Phil Collins and Peter Gabriel, and became a fixture at Genesis’s The Farm studio.
